Free Admission GLENDALE NOON CONCERTS
Every First & Third Wednesday at 12:10-12:40 pm,
has returned to live performances
in the Sanctuary of Glendale City Church!
RELAX DURING YOUR LUNCH HOUR WITH LIVE MUSIC
On Wednesday AUGUST 21, 2024 at 12:10 -12:40 pm PT,
the Free Admission Glendale Noon Concerts program
will be performed live in the Sanctuary of Glendale City Church.
610 E. California Ave Glendale, CA 91206
PARKING INFO:
https://glendalecitychurch.org/location
Glendale Noon Concerts 8/21/24
at 12:10-12:40 pm PT
Jacqueline Suzuki - violinLudwig Van Beethoven
10 Variations on :”Ich bin der Schneider Kakadu”, Op.121a for piano trio
Franz Joseph Haydn
Piano Trio No.39 in G major, Hob.XV/25,“Gypsy”
Andante
Poco Adagio
Finale. Rondo all'Ongarese: Presto
SCROLL DOWN TO SEE ARTIST BIOS:
STILL AVAILABLE! Watch
previous Glendale Noon Concerts streamed concerts
(April 2020-February 1, 2023):
https://www.youtube.com/watch?v=5oAfaPgGGMw&list=PLms1LJpnTpJzK7Yf6ryh2zyFMlkl7qC2z
Read about the previous programs:
http://glendalenoonconcerts.blogspot.com
Facebook 8/21/24 event page:
https://www.facebook.com/events/1802213946971992
Preview of the NEXT CONCERT:
Wednesday SEPTEMBER 4, 2024
at 12:10-12:40 pm PT
Kewa Ensemble
Jacqueline Suzuki -violin
Adriana Zoppo - violin
Patrick Marsh - viola
Clement Chow - cello
FRANZ JOSEPH HAYDN (Austrian, 1732-1809)
String Quartet in D minor, Op. 76, No 2, Hob. III:76 "Fifths" or "Quinten"
Allegro
Andante o più tosto allegretto
Menuetto. Allegro ma non-troppo
Vivace assai
GIACOMO PUCCINI (Italian, 1858-1924)
I Crisantemi ("The Chrysanthemums", 1890)
http://glendalenoonconcerts.blogspot.com
PLEASE HELP THESE CONCERTS TO CONTINUE WITH A DONATION:
https://adventistgiving.org/#/org/ANPPGL/envelope/start
or by mailing it to 610 E California Ave, Glendale, CA 91206 to the Friends of Music.
The Glendale Noon Concerts series is presented by Glendale City Church every first & third Wednesday at 12:10-12:40 pm. www.glendalecitychurch.org
Concert schedule: https://glendalenoonconcerts.blogspot.com
Much appreciation to the Hennings-Fischer Foundation for their mission to support art and education and their generous grant to GNC.
Performer Bios:
JACQUELINE SUZUKI, violin, is a longtime member of the Long Beach and Santa Barbara Symphonies.
A native of San Francisco, she began her earliest chamber music studies on scholarship at the San Francisco Conservatory. She has performance degrees from the Mannes College of Music (BM), where she studied with William Kroll, and the California Institute of the Arts (MFA).
As a Los Angeles freelancer, she has performed with many ensembles and in many genres, from rock, jazz, Latin and Arabic, to playing in the pit for the Bolshoi Ballet and onstage with the Three Tenors. She has recorded with diverse artists: Snoop Dogg, Neil Sedaka, Leonard Cohen, Whitney Houston, Bocelli, Lalo Schifrin, McCoy Tyner, Placido Domingo and many others, and appears on recordings by the Long Beach, Santa Barbara and Pacific Symphonies. She has spent summers at the Peter Britt, Oregon Coast, Carmel Bach and Cabrillo Festivals and has performed in a string quartet “in residence” on a raft trip down the Green River in Utah. Tours have taken her many times to Japan, Taiwan, Mexico, Canada, Europe, the Middle East and throughout the US.
Cellist CLEMENT CHOW has studied at Rice University and Cleveland Institute of Music where he received his Bachelor and Master of Music. He has been to music festivals around the world which include the Aspen Music Festival, Pacific Music Festival in Japan, as well as Schleswig Holstein Music Festival in Germany. He made his solo debut with the Houston Symphony at the age of 16. He has also studied with some of the greatest chamber music groups around the world. The groups include Tokyo, Cleveland, Alban Berg, and Amadeus String Quartets.
Born in Jackson, Tennessee, but now based in Los Angeles, pianist Brendan White appears frequently in solo recitals and chamber ensembles and as a soloist with orchestra. As soloist, White has performed with Musica Nova (Eastman School of Music), Vicente Chamber Orchestra, Symphony of the Verdugos, Crown City Symphony, Global Harmony Symphony, Delta Symphony Orchestra, and Jackson Symphony Orchestra.
As a recording artist, White was featured on Danaë Vlasse’s Grammy Award-winning album Mythologies. White’s collaborations in Southern California have included the Mühlfeld Trio, which won the prestigious Beverly Hills Auditions, the Speakeasy Society, and Eighteen Squared. He is an original member of the Sunset ChamberFest in Los Angeles. White’s repertoire spans many centuries and genres and he has worked with well-known composers such as Thomas Adès, Stephen Cohn, Donald Crockett, and Danaë Vlasse.
White is also a composer of original music. Local recital appearances include: Piano Spheres Emerging Artist Series, Soundwaves in Santa Monica, Silicon Beach CO Recital Series, Glendale Noon Concerts, Pasadena Presbyterian Music at Noon, LaCanada Presbyterian, Music@Mimoda, Alhambra Performing Arts Center, and Mason Concerts. He attended the Eastman School of Music and the Thornton School of Music, University of Southern California.
Program notes:
"Kakadu Variations" is the nickname given to Ludwig van Beethoven's set of variations for piano trio on the theme "Ich bin der Schneider Kakadu" by Wenzel Müller. The Variations were published in 1824 as Op.121a, the last of Beethoven's piano trios to be published.
Haydn's Piano Trio No. 39 in G major, Hob. XV/25 was written in 1795, during the final few weeks of Haydn's second trip to London, and one of a set of three (H. XV:24–26) dedicated to Rebecca Schroeter. It is perhaps his best-known piano trio and sometimes nicknamed the "Gypsy" or "Gypsy Rondo" trio because of its Rondo finale in 'Hungarian' style.
Rosemary Hughes describes the first movement as "a curious but charming blend of double-variation and rondo, for the two minor sections are extremely free in their connection either with the major main theme or with each other. The alternation of variations in major and minor keys is characteristic of Haydn.
The final movement incorporates a number of Gypsy tunes, including the Hungarian "recruiting dance" genre known as Verbunkos, and gypsy effects (such as strumming accompaniments and left-hand pizzicato). - Wikipedia
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