Sunday, December 23, 2018

Free Admission Glendale Noon Concerts 1/2/19

FREE ADMISSION GLENDALE NOON CONCERTS
Every FIRST & THIRD WEDNESDAY at 12:10-12:40 pm
On Wednesday JANUARY 2, 2019 at 12:10-12:40 pm: 

ARTHUR OMURA
French Baroque Chamber Organ Recital

 https://www.arthuromura.com/
(Please scroll down to read artist bio)

Program:


Prélude sur chacun ton         
P. Attaingnant (fl.16th c.)

A Solis Ortus 
J. Titelouze (1563-1633)
     Verset I
     Verset II
     Verset III

Fantaisies sur "Une Jeune Filette"          
E. Du Caurroy (1549-1609), Tr. R. Lopes
     XXIXème Fantasie à trois
     XXXème Fantasie, seconde partie à trois
     XXXIème Fantasie, troisiesme partie a quatre

IIIème Fugue           
F. Roberday (1624-1680)
     Fugue
     Caprice sur le mesme sujet
     Deuxième Caprice
     Troisième Caprice

Two fugues          
N. Gigault (1627-1707)
     Fugue a 4 du VIème ton
     Fugue a 3 du VIème ton

Offertoire sur les Grands Jeux from the Messe à l'usage ordinaire des Paroisses          
F. Couperin (1688-1733)




RELAX DURING YOUR LUNCH HOUR WITH LIVE MUSIC

PLEASE NOTE:
The Glendale Noon Concerts series now takes place
in the Sanctuary at
GLENDALE CITY CHURCH
610 E. California Ave (at Isabel St)
Glendale, CA 91206
INFO:
(NO SOLICITATIONS, PLEASE: Glendale Noon Concerts
is not accepting artists to the program.)
Call 818-244-7241 (office)
or email glendalesda@gmail.com
General info & parking:
http://www.glendalenoonconcerts.blogspot.com/
Accessible for wheelchairs. Seating available next to wheelchairs.
Loading zone near California Ave. entrance.
*************************************
UPCOMING CONCERTS in the same series: 

MORE FREE CONCERTS:
At the Edendale Branch Library in ECHO PARK
http://www.edendaleupclose.blogspot.com/

Artist Bio:
Arthur Omura is a specialist in historical keyboard instruments. He studied organ repertoire of the Baroque under Charles Rus in San Francisco, modern technique under Dr. Ladd Thomas at the University of Southern California, and harpsichord repertoire under Dr. Lucinda Carver at USC. He has performed at the Boston and Berkeley Early Music festivals and given numerous performances at home in Los Angeles. Omura keeps an active schedule as an organist and harpsichord player. He has worked with MicroFest, wildUp, iPalpiti, and Musica Angelica Baroque Orchestra. Omura can be heard on several recordings, most recently on “Spirits of the Air”, a collaboration between countertenor Brian Asawa and mezzo-soprano Diana Tash, out on LML Music.  His interest in instrument making led him to work with harpsichord builder Curtis Berak, whom he has assisted in restoring several instruments, and with organ builder Manuel Rosales. Omura has a Master’s Degree from the University of Southern California.
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